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__My Name__ = Dylan Evans __Presentation Date__ = Friday Jan 8 2010

__My Mentor__ = Miss.Nash

__Subject & sub-topics__ =
 * Artist Fee's
 * Ticket Sales
 * Hireing
 * Stage Crew
 * Security
 * Catering
 * Runners
 * Booking the venue
 * What kind of profit share
 * Billing
 * Gross potential
 * Merchandising

__Thesis Question__ = Are concert promoters receving a fair share of the profits from the ticket sales

__Thesis Sentence__ =

__Statements__ = __Premise(s)__ =
 * Concert promoters book venues
 * Concert promoters negation contracts with the bands
 * Concert promoters can make profit
 * Concert promoters do take financial risks
 * Elements of having to pay other first:(artist fee, merchandising, etc) are inconsistent with sales concert promoters are trying to make a larger profit
 * Elements of inital concert payments:(artist fees, merchandising, etc) are inconsistent with sales concert promters profit goals promoters desire
 * The profit goals concert promoters desire are not meet due to payouts
 * How Concert promoters change contracts to increase their profit (conclusion)

The elements of having to pay other first : artist fee’s, merchandising etc, are inconsistent with sales concert promoters are trying to make a larger profit.

__Conclusion__ = How Concert promoters change contracts to increase their profit

__Thesis sentence (argument included)__ = > > > > __Thesis Question (enhanced)__ = > Since the profit goals concert promoters desire are not meet due to concert payouts,how do concert promoters change contracts to increase their profit
 * Are concert promoters receving a fair share of the concert ticket proceeds considering the responsibilites and the inherent risks involved in running a show.
 * Since the profit goals concert promoters desire are not meet due to concert payouts, it can be concluded that concert promoters change contracts to increase their profit